

THE ICON OF THE HOLY TRINITY
Andrei Rublev was a Russian monk who lived in the 15th century. The icon of the Trinity, painted in 1412, is considered the most beautiful of all the Russian icons.It depicts the Biblical tale of Abraham's meeting with the three angles at the Oak of Mamre (Genesis 18:-15). He sees three angles but worships them as one. From the words of this sacred story,the tradition of the Church understands that the three angels are a symbol of the Trinity.
In the icon, the angels are depicted in a calm and thoughtful meeting. We can recognize in the central figure, the persona of the Son of God; in fact, the clothes he wears,which are blue and red, are typical of those worn by Christ the Pantocrator (from the Greek), meaning the fullness of all human being). However, in the most common interpretation, the angel in the centre of the icon represents the Father, the fountain of life; the draping on his chest is like a fountain, spurting from the heart. Above his heart s the tree of life.
On the right of the Father is the Son. His expression of acceptance and obedience gives weight to this interpretation. Furthermore,directly above his head is a building which symbolizes the Church. The dialogue between the Father and Son is that of the incarnation, as we can see from the two fingers of the father, which symbolizes both the Divine and Human nature of the Son. The Son accepts, from the Father, the necessity of his self sacrifice for the salvation of the World. “Here, I come to fulfill Your Will.” (Hebrew 10:9).
The Holy Spirit is seated on the left of the Father, and from there begins the sense of circular movement which dominates the icon. In fact, every movement which blesses the world comes from the Holy Spirit. The hand of the Holy Spirit points to the universe, blessed by the sacrifice of the Son. The universe symbolized by the rectangle on the front of the table. The sacrificial lamb is depicted in the chalice.
Between all three characters, there reigns a sense of total accord. The Angel on the left sits thoughtfully, whilst the other two can towards each other in an expression of infinite accordance. The Russian theologian Pavel Florenski wrote “If Rublev was able to paint this icon then it means that God exists!”
Some Russian theologians also say that the icon is fulfilled in the believer. To pray in front of this icon, signifies asking God to be taken into His friendship, to participate in the gentleness and peace which the Trinity offers us, to accept to live with the Son of God in his mission of loving the world.
天主聖三的標記
安德烈·魯布廖夫 (Andrei Rublev) 是十五世紀的俄羅斯修士。他在1412年繪劃的天主聖三標記並被認為是俄羅斯最美麗的聖像。它描繪了聖經故事中亞巴郎在瑪默勒橡樹林與三位天使會面的事蹟 (創18:15)。他看到三位天使,卻以三位一體崇敬。教會在這神聖故事的傳統理解為這三位天使便是天主聖三的象徵。
標記描繪天使們在參與一個平靜和體諒關切的會議。(標記描繪天使們平靜和體諒關切地會合)。從中心人物中,我們可以識別出天主聖子;事實上,他所穿的藍色和紅色的衣服是典型的基督君王所穿的衣服(希臘文的意思是全人類的滿全)。然而,在最常見的解釋中,聖像中心的天使是代表天主聖父,生命之源;胸前的披風就像從心底噴湧而出的一股泉水。在衪心臟之上便是生命樹。
在聖父的右邊是天主聖子。衪接受和服從的表情加重這說明。此外,在衪的頭頂正上方有一座象徵教堂的建築。聖父與聖子的對話是指降生成人,我們可以從聖父的兩個手指看到聖子的神性和人性的象徵。聖子從聖父那裡接受了為拯救世界而自我犧牲的需要。「看,我已來到,為承行祢的旨意。」(希10:9)
聖神坐在聖父的左邊,從這處開始了一股循環動態的感覺來支配這標記。事實上,每一個祝福世界的舉動都是來自聖神。聖神的手直著聖子犧牲的祝福指向宇宙。桌子前面的長方形象徵著宇宙。聖爵描繪了獻祭的羔羊。
在這三個角色之間,有一種統治共融的感覺。左邊的天使體貼關切地坐著,
而另外兩個則以一種無限共融的表情面對著對方。俄羅斯神學家帕維爾·弗洛倫斯基曾寫道:「如果魯布廖夫能夠繪劃出這個標記,那就意味著天主是存在的!」
有一些俄羅斯神學家也說,這標記在信徒身上得到了應驗。在這個標記前祈禱,意味著祈求天主接納在衪的友誼內,參與天主聖三為我們提供的溫和與平安,接受與天主的兒子一起生活,履行祂愛世界的使命。
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